The Fate of the Furious
Screen Design | Compositing
For The Fate of the Furious, Cantina was responsible for designing and compositing an array of story specific graphics. The team worked closely with VFX Supervisors Mike Wassel and Kelvin McIlwain to develop compelling imagery to seamlessly compliment the story throughout the film. Over a 7-month period, we assembled a talented team of artists that delivered 280 final shots.
One of the many creative challenges was to build upon the established visual language of Furious 7, including the design for Cipher’s aircraft command center, vehicle and binocular HUDs, monitors, phones, and the reinvention of the God's Eye. Director F. Gary Grey stressed the importance of taking the established technology and cranking the needle to a fun and energizing level.
Design and Compositing Reel
(01:09)
God’s Eye 2.0
The Fate of the Furious introduces audiences to God's Eye 2.0, which has greater functionality and capability than God’s Eye from Furious 7. Tej, Ramsey, and the rest of the crew use the world-connected supercomputer to track down Dominic Toretto's location and bring him to justice for betraying their Family.
“What's it gonna be? You're gonna close your eyes on World War III or you're gonna saddle up and save the entire damn world.”
- Hobbs
Cipher’s Jet
Cipher is one of the most formidable threats the Fast Family has faced to-date. With a seemingly never-ending supply of gadgets and technology at her disposal, she’s able to control armies of vehicles, devices, and city subsystems with her hacking skills.
Ramsey’s Hacking Interface
Design & Animation
Credits List
Client Universal Pictures
VFX Supervisor Tony Lupoi
Graphics Supervisor Alan Torres
VFX Producer Donna Cullen
Executive Producer Sean Cushing
Compositors Julianne Dome, Aaron Eaton, Matt Eaton, Stephen Gall, Robert Giles III, Jay Grunfeld, Jeffrey Olney, Fernando Raigoza Jr., Brian Sales, Brian Yarnell
Designers Carly Cerquone, Lynn Choi, Andrew Hawryluk, Nate Jess, Sang Kim, Shawn Lee, Nicolas Lopardo, Cisco Torres, Daniel Zhang