Press
Adobe - How Netflix’s sci-fi thriller “Atlas” used cutting-edge visual effects
Art of VFX - Atlas: Marti Romances (Co-founder & Creative Director – Territory Studio) & Aaron Eaton (VFX Supervisor – Cantina Creative)
Post Magazine - Cantina Creative Develops New Workflows with HP Z6 G5 A
Digital Hollywood - The AI Summer Summit
The Telly Awards 2024 - Silver Winner: The Use of Animation - Television
ProVideo Coalition - Cantina Creative on Designing HUDs for Movies and Real Life
Post Magazine - Outlook: Digital Content and Real-World Views
Mograph - Crafting a Map of Middle Earth with C4D and Leather
Before and Afters - Designing The Sacred Timeline in ‘Loki’
Motionographer - Avatar & Black Adam VFX house, Cantina Creative, Opens Vancouver Studio
School of Motion - Designing the UI of Tomorrow - Stephen Lawes of Cantina Creative
Vice - How the Fake But Really Cool Computers In Movies Get Made
Studio Daily - Designing the Retro-Tech Look of the Future in Blade Runner 2049
Animation World Network - Cantina Creative Goes HUDs Up for ‘Captain America: Civil War’
Novedge - The Edge: The Iron Team of VFX Studio Cantina Creative
MAXON - Cinema 4D Fires-up Cantina Creative VFX Workflow on The Hunger Games: Mockingjay Part 2
Hugs + Guis - Furious 7 by Cantina Creative
Adobe - Cantina Creative, Setting the Scene
Business Wire - MAXON Cinema 4D Inspires VFX and Animation Artistry on Avengers: Age of Ultron
MAXON Press Release - Cantina Creative Gives Iron Man 3 A "Heads Up" With Maxon C4D
Creative Cow - Upping the HUD Ante with Adobe After Effects
Digital Media World - Cantina Creative & Bandito Brothers Accelerate a True VFX/Editorial Workflow
Short of the Week - Gumdrop
Film Book - Gumdrop Short Film
24700 Cal Arts Blog - Gumdrop
"[Cantina] has carved out a niche in the Motion Design world and made quite a name for themselves along the way."
— Adam Korenman, School of Motion
